Design for Asha 303

The Asha 303 provides the body shape and styling of this Nokia X2-01 – adding a prominent accent from the brushed metal battery cover. Surprisingly, the Asha is a tad bit more compact and weighs less than it is all-plastic predecessor. It is a simple yet stylish handset while the messenger form factor doesn’t allow an excessive amount creative freedom.

We didn't get completely time to test the full Qwerty keyboard lurking under the screen, but we did note there is no gap between each individual critical, so that might lead to an occasional call slip up when you're typing easily. On the other hand, we're very happy to see that the space bar is very big -- nothing grinds our gears such as a fiddly little space key.

The 3. 6" capacitive TFT touchscreen has QVGA resolution which enables it to display up to 256K colors. Irrespective of its decent brightness, the image quality is nothing for getting excited about. The sunlight legibility is usually decent, but not perfect.

There's a touchscreen agreeable that measures 2. 6 inches within the diagonal. Happily it's of the capacitive variety as opposed to the less classy resistive type, so incredibly light touches will trigger on-screen behavior.

The 2. 6” display Asha 303 is within the small side – for a touch phone – but it really does the job. The first capacitive unit using a S40 handset is nicely responsive devoid of overdoing it. It’s tuned to neglect very light presses, which we usually prefer over displays that often detect your finger midair. The touchscreen affords the trademark Nokia haptics we’ve been continually impressed with. Wherever you tap within the display, you’ll feel the vibration suitable under your fingertip.

The Asha 303 seems as if a solid basic mobile. Nothing concerning this particularly impressed us, though for what's bound as a low price tag, it's good to discover a capacitive touchscreen. We'll be testing out how easy it truly is to rattle out messages on that Qwerty keyboard when it reaches time for the full review.

Nikon D7000 Look First

When it was announced in September the D7000 took a lot of people by surprise. Although a D90 successor had been on the horizon for some time, what wasn't expected was how close in specification terms the new camera would turn out to be to the D300S. In some respects, in fact, the D7000 actually outguns its (supposedly) semi-pro cousin, and offers a compelling upgrade option to both D90 and D300S owners, whilst nominally sitting between the two in Nikon's current lineup.

The Nikon D7000 is the company's latest mid-range DSLR. Announced in September 2010, the D7000 technically replaces the enormously popular D90, although that model will remain on sale while stocks last. The new numbering clearly positions the D7000 above the D5000, with the D3100 below both.

Nikon D7000 Key Features

16.2MP CMOS sensor

1080p HD video recording with mic jack for external microphone

ISO 100-6400 (plus H1 and H2 equivalent to ISO 12,800/25,600)

39-point AF system with 3D tracking

New 2016 pixel metering sensor

Scene Recognition System (see 2016 pixel sensor, above) aids WB/metering + focus accuracy

Twin SD card slots

3.0 inch 921k dot LCD screen

New Live View/movie shooting switch

Full-time AF in Live View/movie modes

Up to 6fps continuous shooting

Lockable drive mode dial

Built-in intervalometer

Electronic virtual horizon

Shutter tested to 150K actuations

The Nikon D7000 is a new prosumer DSLR camera with a 16.2-megapixel DX-format image sensor. Key highlights of the D7000 include Full 1080p HD video with full-time autofocus and manual exposure control, an ISO range of 100-25600, the widest of any Nikon DX camera, a new 2,016-pixel 3D Colour Matrix metering system, new EXPEED 2 image-processing engine, new 39-point Auto-focus system with 3D tracking, 14-bit analogue-to-digital conversion, 6fps continuous shooting, dust- and moisture-sealed magnesium alloy body, 921k dot 3-inch LCD screen, and dual memory card slots. The Nikon D7000 costs £1099.99/ $1199.95 for body only and £1299.99 / $1499.95 for the body and the AF-S DX Zoom-Nikkor 18-105mm f/3.5-5.6G ED VR kit lens.

Nikon Coolpix S8100 Design

As the Canon PowerShot SD4500 IS basks within its asymmetrical, swanky architecture, the Nikon Coolpix S8100 appears like it means business. The camera sports a modest boxy design that fronts a little more bulk than the PowerShot SD4500 IS ACTUALLY. We also get plain Black, Red-colored, and Gold color choices, while the actual Canon offers stylish two-tone combinations. It's obvious how the Canon PowerShot SD4500 IS has the looks as the Nikon Coolpix S8100 has the exterior features.

For instance, look at the LCD screen about the Nikon Coolpix S8100. It's a 3-inch display having a 921, 000-pixel resolution. The LCD screen about the SD4500 IS is a 3. 5-inch widescreen, but only includes a 230, 000-pixel resolution, which is highly inadequate when compared to Coolpix S8100's. We also got an extremely fast framerate on the LCD once the shutter button was pressed halfway, so the Nikon Coolpix S8100 has among the best monitors in its class.

The Coolpix S8100 also offers a popup flash, which we preferred within the SD4500 IS's embedded flash because it's mounted farther from the lens, minimizing shadows. We get an ample zoom toggle wrapped round the shutter button, spinning control dial, as well as dedicated Video Record button. Both cameras support SD/SDHC/SDXC cards too. We preferred the Nikon Coolpix S8100's exterior design because was more functional, although the style points go to Canon.

Using Shoot Nikon Coolpix S8100

It became much more apparent that the Nikon Coolpix S8100 had been out to tackle the Canon PowerShot SD4500 IS whenever we snooped around the camera's features stock. There are no advanced shooting modes about the S8100, but rather Scene modes along with a tweakable Auto mode. In fact, the slowest shutter speed we're able to access was only in Fireworks Display mode, which dipped to 4 mere seconds. The Canon PowerShot SD4500 IS a minimum of allowed us to shoot the shutter speed right down to 15 seconds, courtesy of the camera's Lengthy Shutter mode. However, both cameras depend on their high ISO performances rather compared to shooting controls.

ISO could be setup to 3200, White Balance was fully adjustable having a great Manual mode that zoomed in about the scene, snapped a test image, as well as set the Kelvin temperature accordingly. There is a Subject Tracking mode, four different AF modes including the manual setting that allowed us to shift the AF box round the LCD, and a wealth of Flash configurations that exceeded what the Canon PowerShot SD4500 IS needed to offer.

The Nikon Coolpix S8100 comes with a better focal length than the actual Canon PowerShot SD4500 IS, giving us a pleasant 30mm wide-angle NIKKOR lens. Both digital cameras have 10x optical zoom lenses, however the Coolpix S8100's wide-angle capability makes it the option for tight shooting, compared to the actual Canon PowerShot SD4500 IS's 36mm broad lens.

We will say that Canon has got the better interface and controls. Nikon's menus are becoming quicker, but they are far much less intuitive, forcing us to dive right into a large list of options in the Menu while Canon comes with an onscreen Function menu. We liked the actual Nikon Cooolpix S8100's adjustable Vividness, Color, and Brightness sliders, but Canon has plenty of filters like Color Accent, Super Vibrant, and Miniature, some of which could be applied while recording video. Playback using the Nikon Coolpix S8100 was sluggish because anything, especially when we tried trim videos.

So, with an interface refreshing and heightened modes like a longer shutter speed to be able to appease the long exposure shooters, the Nikon Coolpix S8100 will be the camera of choice. But, the Canon PowerShot SD4500 IS edges it out slightly with this department.

Nikon - Coolpix s8100 12.1-Megapixel digital camera - Black

This Coolpix S8100 compact megazoom is Nikon's follow-up towards Coolpix S8000. That camera didn't offer much more than what you can get from other manufacturers--if anything--and produced normal photos and had average shooting effectiveness. Its design was really the only thing that achieved it above average. Nikon quickly moved forward while using the S8100, keeping the prior model's design usually, but adding a high-speed backside-illuminated (BSI) CMOS sensor.

The advancements made in the digital compact world in the last year have really given us hope in the future of the industry, and the Nikon Coolpix S8100 is usually a premiere example of why the low light revolution need to be proud. Ever since we reviewed this Canon PowerShot SD4000 IS, we knew which the game had been changed, and it'd never remain the same. Canon has been doing wonders with basic imaging sensors that are dedicated to high ISO quality. We've also seen it from Sony because of their DSC-TX7, and Panasonic is gradually capturing up.

Now along comes Nikon's completely new Coolpix S8100, which gives the not long ago reviewed Canon PowerShot SD4500 IS anything to sweat about. Overall, both cameras received identical score from us because they surpass in core departments. And at the tip of our exclusive jaunt with both equally cameras side-by-side, it became apparent that either one is a quality choice for point-and-shoot user who seeks the most beneficial in low light. Keep in mind which the Nikon Coolpix S8100 is 50 bucks cheaper versus Canon PowerShot SD4500 IS.

The beneficial: Excellent shooting performance; great LCD; music mic; 10x zoom in an beautiful compact body.

The bad: Soft pics on either side of ISO 250; white balance is a little down; no manual or semi manual shooting processes.

The bottom line: With fast effectiveness, good photos, and an excellent feature-to-price relation, the Nikon Coolpix S8100 is a concise mega zoom worth considering.

It is in many respects very like the Coolpix S8000, but the S8100 incorporates a back-lit CMOS sensor with 12. 1MP in preference to the S8000's 14MP CCD sensor. Major benefit of the back-lit sensor (and this drop in pixel count) is which the images should have less noise.

Such as S8000, the S8100 has a lens with the equivalent focal length of 30-300mm, almost as wide as some might including, but a usefully long telephoto optic for the opposite end of the zoom assortment. Camera shake is an issue having long lenses and low light, even so the S8100 has both optical vibration decline and electronic vibration reduction (VR) that can help counter the problem.